In Granata's belief, this English horn amplifies the song's restless feeling by suggesting "a sense of longing when voiced behind Brian's lead vocal ('I came along when he broke your heart'), and resignation in the final chorus ('I'm waiting for the day when you can love again')." Ĭhord-wise, the changes in the verses are essentially a doo-wop progression that gives way to the same progression Wilson had previously used in " The Man with All the Toys" (1964). In the verses, the lead vocal melody is doubled by an English horn. Lambert says that the timpani is evocative of "a throbbing, aching heart" and is "soon joined by other instruments and a brief statement of an inverted arch figure in the flute" which recurs later in the piece. The song opens and ends with the heavy sounds of a timpani being struck, which reduces in intensity during other sections. An English horn was used to double the song's lead vocal melody line. According to Granata, the song serves as another example of Wilson's use of " metaphoric instrumentation", this time to bolster the themes of "commitment and strength" elaborated in the lyrics. Although slower in the choruses, the verses contain the fastest tempos heard on the album (approximately 168 beats per minute). It is in the key of E major, and is one of only five tracks on Pet Sounds that does not modulate or waver into other keys. "I'm Waiting for the Day" has a verse-refrain structure and AAAB form. Composition Timpanis serve a prominent part in the song's arrangement. In his 2003 book about Pet Sounds, Charles Granata refers to "I'm Waiting for the Day" as a "a sensational reminder of the smart songs" Love had co-authored with Wilson on the 1965 album The Beach Boys Today!. It is one of the five (of 13) tracks on the LP that Wilson did not write in conjunction with lyricist Tony Asher. He may be hopeful, but he is not quite where he wants to be. Therefore, while the sentiments are more optimistic than those of some of the lyrics on Pet Sounds, the listener can still sense some of the unease of Wilson's character. It is the story of friends who become lovers however, at the point in time of the song, they seem to be in a nebulous area somewhere between the two states. Biographer Peter Ames Carlin summarizes the song as a "relatively hard-rocking" tune about "love's restorative power". However, the broken-hearted girl is reluctant to commit herself to another relationship, leading the narrator to pledge, "I'm waiting for the day when you can love again". The narrator feels that she is "the only one" for him, and that he holds the power to "set broken heart free". The song is a simple love poem whose narrator wishes to offer his comfort and support to a girl who was abandoned by her former lover. Asked in 2014 about the song, Wilson said that "there really was no specific inspiration". When the song was published on Pet Sounds, it was credited to Wilson and Mike Love, who revised eight words in Wilson's original lyric. "I'm Waiting for the Day" was copyrighted by Wilson as a solo composition in February 1964. Wilson produced the track in March 1966 with the aid of 17 studio musicians who variously played timpani, bongos, drums, flutes, English horn, electric guitar, two basses, strings, and an altered tack piano.īackground and lyrics Mike Love and Brian Wilson in 1964 Musically, the arrangement is characterized for its dynamic use of textures and word painting. Wilson, alongside co-author Mike Love, are the only Beach Boys who appear on the recording. Written primarily by Brian Wilson, the lyrics describe a man who is "waiting for the day" when the woman he loves will be ready to commit to a relationship with him. " I'm Waiting for the Day" is a song by the American rock band the Beach Boys from their 1966 album Pet Sounds.
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